![]() But Code 8 ends up feeling like an insult to those communities. The goal is noble: Clearly, the film is trying to create a touchstone for viewers to understand the plight of marginalized groups who are trying to get by despite systemic prejudice. Thus, when their powers become illegal, they turn to illegal activities - like making and selling drugs. The difference in this disappointing film from Stephen Amell (the CW's own Green Arrow), is that here, those with superpowers don't see themselves as heroes. Superman: Dawn of Justice) have all already used plotlines in which the world turns against superheroes, seeing them as a danger. The Avengers ( Captain America: Civil War), the X-Men ( The Wolverine and X-Men: Apocalypse), and the Justice League ( Batman v. If you're going to tackle a superhero scenario that's already been played out by Marvel, DC, and Pixar, it had better be good - and this one is not. To stay in the loop on more movies like this, you can sign up for weekly The movie - which aims to create empathy for and understanding of real-life minorities who face oppression - was executive produced by Arrow headliner Stephen Amell and his cousin, Robbie Amell. Strong language includes frequent use of "f-k" and more. A crime boss operates a strip club where employees are (un)dressed for the job, including one woman whose breast is exposed. The police are portrayed as the enemy: They use military force (and robots), shoot first and ask questions later, and - at least one case - justify trying to frame a suspect. ![]() Gun violence is frequent, and some of the deaths caused by the "powered" are graphic and bloody. Users are shown experiencing pleasure but never seem incapacitated or incapable of functioning normally while under the influence. The drug featured in the movie is fictional, but there isn't a negative consequence to getting high. Some have turned to crime as a means of survival, primarily drug trafficking. They're considered dangerous and must struggle to get solid work, which has created generational poverty. What's more, as opposed to many of Marvel's heroes, she's remarkably normal, having no "super" qualities other than her intellect, courage, and determination, making her an even more likable female lead.Parents need to know that Code 8 is a sci-fi action drama about regular people who have super powers. Marvel does itself a real service by letting this beautiful, clever, self-reliant female operative crush the gender stereotypes of the time, even if it does come at the expense of a somewhat naive male clientele that's overly susceptible to her guile. There also are some laughs, mostly at the hands of the mild-mannered butler-turned-spy-associate, Jarvis.īut the series' best-selling point by far is Peggy herself, who in Atwell's hands is as able as a solo act as she ever was at Captain America's side. And speaking of action, there are plenty of sequences that involve explosions, shoot-outs, and some hand-to-hand fighting, but Peggy often heads off others with her considerable brains rather than her brawn. Obviously this will appeal to Marvel's faithful fan base most of all, but the efficiently written series gives just enough backstory to bring newbies up to speed in no time flat, inviting a wide pool of viewers and setting the scene for a scintillating action series. ![]() Marvel's Agent Carter brings a couple of supporting characters from the Captain America stories to the forefront in Carter and Howard Stark. This series' best-selling point by far is the character of Peggy Carter, who in Atwell's hands is as able as a solo act as she ever was at Captain America's side.
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